Hidden Talent: StarLords, Book 1 Page 24

  I knelt down, put my nose near the cold baked clay. If there was any blood there, it was too old and too faint for human eyes and a stub of a candle to see.

  “I’ll take your word for it,” I said, rising.

  “Do,” said Evis. “You see no trace because soon after the blood was spilled, the floor was cleaned. I suspect they used a mop and tanner’s bleach. My associates and I can still smell the traces though. Some must have run between the cobbles.”

  “Rannit’s got more blood-stains than pot holes,” I said. “What makes this one special? What does it have to do with Martha Hoobin?”

  Evis sighed.

  Then he frowned.

  “Mavis. Torno, Glee, come here.”

  Three new vampires appeared and glided near, their ghost-white faces turned down, their dirty marble eyes turned away from my light.

  “What the—”

  Evis raised a hand and the halfdead stopped still, faces down, beside me. I shut up.

  A moment passed. I strained my ears, since my eyes were proving useless. I heard nothing at first—then, faintly, I made out scratching, like a mouse in a wall, chewing away. I held my breath but couldn’t locate the source.

  Evis put his dark glasses away. “Dear God,” he said, in a whisper. “Dear God.”

  A fourth vampire appeared at my right elbow. Evis nodded at it.

  “Go now, Mr. Markhat. Sara will take you to safety.”

  I opened my mouth. The scratching grew louder. Was it coming from the floor?

  “Sara!”

  Sara reached out, put both cold hands on my waist and hefted me a foot off the floor.

  She’d taken a single gliding step toward the door when the brick floor at our feet exploded and a long bubbling scream broke the silence.

  A scream and a smell. A stench, really, louder in its way than any noise—rotting flesh, warm and wet, thrust suddenly up out of the earth.

  A brick struck Sara in the side of her head, and she faltered, tripped and went down, and me with her.

  I heard Evis shout something and felt whips of motion around me and in that instant before my dropped candle flicked out I caught sight of the thing that we’d raised. It leaped toward me, a thing of loose and rotted flesh, slapping Evis casually aside when he grasped its right arm. There was no face upon that head, which was itself only a dark, swollen mass that sent sprays of thick black fluid flying with every movement. It had no eyes, no ears, no lower jaw—but it saw me, somehow, and it raced toward me, arms outstretched, ruined belly burst open and trailing shriveled entrails as it came.

  The candle went dark. I scrambled up, and I ran. Behind me, I heard a thud and a gurgle as Sara rose and grappled with the dead thing. Evis shouted again and a pair of crossbows threw, thunk-whee, thunk-whee.

  I charged across the cobbles. I couldn’t see the door. I couldn’t see the wall. I couldn’t see the thing behind me, but I could hear it, hear Evis and his halfdead as they grappled, leaped and struck.

  The ruined thing screamed again, so close I smelled its foul exhalation, felt cold spittle on my back.

  I slammed face-first into a wall that might have needed new plaster and new paint but hadn’t suffered much loss in the way of structural integrity. The room spun. Blood spewed out of my nose.

  It shrieked at the scent, maybe a dozen steps behind. I put the wall on my left and charged, arms groping for a door, any door.

  More crossbows threw. A bolt buried itself in the wall a hand’s breadth from my head. I ducked and kept moving—had I turned the wrong way? Was the door behind me now?

  Something hissed. Something cold and wet laid itself on the back of my neck. I bellowed for Evis, lashed out with a back kick that sank into something soft. The smell hit me anew. I whirled and kicked again and it screamed, wet and triumphant, nearly in my bloodied face.

  I couldn’t see. I couldn’t see at all, but I felt the air rush past me, heard the pair of grunts and thuds as a pair of vampires dived into the creature and pinned it to the wall. A thick, foul spray of fluid caught me square in the face when the halfdead hit, and I retched and stumbled away, pawing and spitting.

  A cold hand gripped my shoulder. “This way,” said Evis, shoving me forward. “Go. Find the carriage. Tell Bertram and Floyd to wait with you.”

  Behind me, I heard shrieks and blows—short wet shrieks punctuated with fast, hard blows. I assumed they had the dead thing pinned and when Evis let go, I moved.

  I wasn’t followed. The gurgling shrieks behind me grew fainter and shorter. I heard the faint sound of steel slicing the air and, suddenly, all was silent.

  I found the ruined door, cut my hand on the splintered doorframe, darted through it and was down the hall at a run. My footfalls were loud in the dark, and all the way out to the street my mind played tricks on me, hearing the sounds of pursuit behind me, hearing a faint growl that crept from a bloated, gurgling throat.

  But I made it. I stumbled whole into the street, mopped blood from my nose, tried to pick out my rights and my lefts from the shadows and the warehouse fronts. That way, I decided. Right. Right for Evis’s carriage. Left to just skirt the whole mess and head for the country and raise a crop of sheep or do whatever it is they do out there.

  I’d taken a single step that way when hands—gentle hands—fell on my shoulder. “That way,” said a voice, and I was turned around, and a clean white linen handkerchief was placed in my hand. “The carriage awaits.”

  I mopped blood and blinked.

  The street was full of halfdead.

  Ten or more glided past, quiet as ghosts. My giver of handkerchiefs joined them, gliding toward the warehouse like a black-clad puff of wind.

  I shuddered, but I held the cloth tight to my nose and marched toward the carriage. More halfdead popped out of the shadows. Each and all ignored me, though I tottered and stank and dripped their favorite beverage liberally out onto the street.

  There’s a metaphor there, somewhere. Something about bleeding profusely at a vampire parade. One day I’ll finish it and tell Mama it’s a Troll saying. But that night I just clamped the cloth to my nose and headed for Evis’s carriage.

  I found it easily enough, though the coachmen had lit their lanterns. They were both on the street, and both bore crossbows and nervous frowns.

  They backed up and wrinkled their noses at my approach.

  “We’ll never get the smell out,” said one to the other.

  “Just be glad you aren’t wearing it,” I said. The driver, bless him, produced a clean handkerchief and stepped close enough to hand it to me.

  “The boss said you found a bad one,” he said, quietly.

  I mopped and nodded, not asking how the Boss had communicated this to the driver. I figured House Avalante could afford the finest sorcerous long-talkers.

  The driver’s friend opened the door. “Best get in. We’ll be leaving soon, and in a hurry.” He squinted at me in the lantern light. “It didn’t scratch you, did it?”

  Hell. Had it?

  I shook off my old Army jacket, kicked it into the gutter when I saw the thick black stain all down the back. I rolled up my sleeves, checked my arms and waist and legs.

  All the fresh blood was from my nose or my right hand. All the other—well, it wasn’t mine.

  “No,” I said. My voice shook, and I was getting weak at the knees, so I climbed into Evis’s fine carriage, leaving black stains as I went.

  Bertram and Floyd—I never learned which was which—watched me go, then turned their frowns and their crossbows back out toward the night.

  I sat and I panted and even with the door and window open I gagged at my smell. My heart still rushed, and memories of the thing’s bloated, eyeless face, I knew, would haunt my dreams for years.

  “The boss said you found a bad one.”

  That’s what the driver had said. A bad one. The flip side of Evis and his well-groomed friends. Halfdead in the raw—a hungry corpse, rotted and foul, still driven to a grim parody of life
by a hunger that drove it from the grave.

  She agreed to everything but sex. She hadn’t counted on his monstrous creativity…

  My Fair Monster

  © 2008 Lila Dubois

  Monsters in Hollywood, Book 2

  Since the day three incredibly hot men in disguise walk into her office and proved Monsters are real, intrepid screenwriter Jane Darby is obsessed with one task: to give the creatures a mythical makeover by writing a revolutionary, blockbuster screenplay. Now if only she can get over her own fear—and get the closed-mouth Michael to talk about his people.

  Michael is fascinated by the demur and docile Jane, whose efforts to hold him at arm’s length hide an untapped sexual passion—a beast within her waiting to be set free. There’s only one way to get under her lovely skin: strike a bargain.

  For one week, she agrees to let him do anything, anything, he wants. But Jane’s got conditions. First, no actual sex. Second, she has to enjoy it.

  Jane’s not really worried. What can happen if he sticks to the bargain? After all, she’s not really turned on by the idea of Michael tying her down. Or bending her over his knee. Or…

  Gulp.

  Enjoy the following excerpt for My Fair Monster:

  “Oh my God you set me up on a blind date. Was there a roofie in that shot?”

  “No, but that’s a good idea for next time.”

  “Lena!”

  “Oh calm down! I’m joking, besides, who needs GHB when there’s a good DJ?”

  “Quit distracting me. What’d you do?”

  “Nothing.”

  “Fine, then I’m going to go dance with that guy.”

  Lena hesitated long enough for Jane’s friends-with-stupid-plan detector to shoot into red, before Lena said, “Dance with him if you want. I just think you could do better.”

  Jane pulled her friend’s face close until they were nose-to-nose. “I know where you sleep.”

  With that ominously vague threat, Jane left the bar, heading for the dance floor. She stopped on the edge, intending to search for coat guy, but a new song started up. It was rich, with a pulsing back beat. The dancers stopped their wild solo gyrations and came together, the music demanding skin-to-skin contact.

  The tingling was back in her fingers, the music pressing into her skin, demanding her recognition, her service. Jane stepped onto the dance floor, and started to move.

  Lifting her arms above her head, Jane slide one hand along the fabric casing her limb, wishing it were bare so she could feel the contact. She whirled, planting her feet on the downbeat and throwing her head back.

  Something brushed against her back, breaking the rhythm of her dance, but when Jane opened her eyes there was no one close enough to touch her. Like her, the others on the dance floor were lost in the song, touched by music as well crafted as a symphony.

  Jane halfheartedly glanced around for coat guy, but gave up when the next hard beat sounded. She bumped her hip to the side and slid her hands over her own breasts, down her belly, to the bare skin of her thighs. She bent, waiting, poised, for the beat to give her a signal. When the music spoke to her Jane snapped up.

  Her back slapped into something. Someone.

  Hands covered hers, urging her to retrace the path over her breasts to her belly, then hips. He pulled, forcing her ass back against him.

  Then they moved as one. Rather than a crude thrusting back and forth—a pale imitation of missionary sex—their duel dancing was rhythmic and subtle, hips moving to the beat. Jane freed her hands from beneath his, needing more. Her fingertips brushed a face, and then his hands captured hers, fingers tight around her wrists, pulling her arms up and back, until they were trapped behind his neck. He held both her wrists in one large hand.

  Jane gasped as the position stretched her up, until she danced on her toes. Her breasts lifted, and her partner took full advantage, cupping one breast through her dress. He touched her, fondled her, controlled her.

  Jane shuddered and moaned. She turned to look at him, but her arms acted like blinders. She tired to speak but her mouth was dry.

  “Just dance.”

  She barely heard the words over the music and the rush of blood in her ears. Had she even heard it? Or was the baritone command a figment of her imagination?

  His hand left her breast, which both relieved and disappointed her, until it dropped to her bare thigh and headed north, slipping beneath her short skirt to curl around her hip, fingertips brushing the fabric of her thong.

  His touch made her aware of her own wetness, and in that moment she wanted nothing more than for him, whoever he was, to touch her, right now. She wanted his finger inside her, long and hard and thick, in one powerful thrust.

  The music stopped.

  Sound had not stopped pumping from the speakers, no DJ was that stupid, but the song had changed. This new offering was frenzied, with a screaming singer, and too much techno overlay.

  Jane snapped from her dance-induced lust-haze. She jerked her arms free of his hold and the man’s hot, rough hand slid away from her thong.

  “I knew you loved to…dance.” The voice was low, rich and…familiar.

  Hidden Talent

  Bianca D’Arc

  Love—and passion—really do conquer all.

  While on an undercover mission to gather intelligence on the neighboring collective, Micah receives the shock of his life. A shy, reclusive horse tamer who possesses a level of raw psi Talent that nearly matches his own. Along with her pure, wild Talent, her beautiful spirit and innocence rouse him to take her on a voyage of discovery to the stars…and the limits of her own, untapped passion.

  All her life, Jeri has hidden her Talent, enduring the stigma of being “odd”. Once aboard the Circe, Micah and his cousin Darak, a rogue of the first order, guide her through a world where those with Talents are revered, not hunted. Where pleasure hones and strengthens psi power to undreamed-of heights. Where love is a real possibility, not a distant dream.

  When a defenseless planet is besieged by the collective’s armada, the Circe races to the rescue—only to discover a missing piece of Jeri’s past on the wrong side of the battle. And that combining her formidable new powers with Micah’s may win the day, but cost her everything…

  Warning: This book contains scenes of ménage a trois et quartre, some exhibitionism, a bit of voyeurism, and love in space and on land.

  eBooks are not transferable.

  They cannot be sold, shared or given away as it is an infringement on the copyright of this work.

  This book is a work of fiction. The names, characters, places, and incidents are products of the writer’s imagination or have been used fictitiously and are not to be construed as real. Any resemblance to persons, living or dead, actual events, locale or organizations is entirely coincidental.

  Samhain Publishing, Ltd.

  11821 Mason Montgomery Road Suite 4B

  Cincinnati OH 45249

  Hidden Talent

  Copyright © 2011 by Bianca D’Arc

  ISBN: 978-1-60928-639-2

  Edited by Bethany Morgan

  Cover by Angela Waters

  All Rights Are Reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews.

  First Samhain Publishing, Ltd. electronic publication: October 2011

  www.samhainpublishing.com

  Table of Contents

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  About the Author

  Look for these titles by Bianca D’Ar
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  Also Available from Samhain Publishing, Ltd.

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